Module 1, Personal Reflection on Professional Practices and Learning outcomes ideas after first tutorial.

 First tutorial reflections ideas: 

Personal Reflection on Professional Practices and Learning outcomes drafts ideas:

1) International Self Motivated Training and learning in my respective art forms 

Why do I do this? 

I have been doing this since my travelling has become full time, I do this to try and be more "then just a stomper" but also because I have also dreamed of doing this since before I even went to school, I recently found in one of my old notebooks a fully planned and plotted trip to South Korea to learn from the multiple competitive studios out there, which I followed online for years, that in may opinion produce some of the highest quality group choreography in the world. I have always been drawn to how other places and practices approach effectively the same idea, but I have found from doing this, you can get to the same outcome in ways I never imagined, which I want to delve deeper into. 

Who else dose this? 

* Galen Hooks, Nahdia Zefinio - Artests I have met and have a personal context to doing a similar thing. 

* Macia Del Prete, Sadaise Arencibia,  Sofia Boutella, Eri Nakamura, Aljaž Skorjanec - Artest I have researched who have done the same thing found here-  https://dancespirit.com/5-foreign-dancers-you-should-know/

International training definition

International - Connected with or involving two or more countries, found here - https://www.oxfordlearnersdictionaries.com/definition/english/international_1

Training - The process of learning skills that you need to do a job, found here -  https://www.oxfordlearnersdictionaries.com/definition/english/training?q=training


2) How I use storytelling through my art forms

Why do I do this? 

I think this is one of the most important aspects of artistry, the point is to make others feel something when they interact with your art. I find the best way to do this is though the energy you give to it or the story you attach to it. I have performed pretty much my entire life, especially when performing live, in my experience weather this be as a group or in a solo setting the best reactions from my audiences has always been when I have tried to tell a story and make them feel something. Also as an audience member I find I connect most with artists that prioritise this whether they are conscious of it or not.  So I think I do this to make the audience feel something, weather that be right then and there or two weeks down the line. 

Who else dose this? 

*Galen hooks 

*Christopher Wheeldon 

*Matthew Borne 

Storytelling Definition - 

The activity of telling or writing stories, found here https://languages.oup.com/google-dictionary-en/

Energy Definition -

The strength and vitality required for sustained physical or mental activity. found here https://languages.oup.com/google-dictionary-en/


3) Still thinking and working on it (Some possible ideas) 

- Discrimination within the industry (Racism and sexism) 

- The social aspect of working in the industry and how that effects us as artists. 

I am undecided on which point or idea would be the most useful or weather there may be another better one, for this type of learning, I hope to consolidate this in the next few weeks and try and draw ideas from my own personal practice and elaborate as I have done in the first two points that me and my tutor agree have room for scope and specifics. 


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